4/30/2023 0 Comments Colorfinale fcpxHere's a copy/paste of the top part of the error log: I'm wondering if this an indication that something is wrong with the SoC on my machine, or if the frequent crashing is a problem with Color Finale running on Apple Silicon? My system seems stable in every other aspect, with the except of TextEdit which sometimes crashes randomly while moving the cursor with the arrow keys, but I chalked that up to a Monterey bug. I've also noticed that every time the error log says something to the effect of "ProCore QoS did not perform at the expected level". My first thought was that it might be related to the known memory leak in Monterey, but every time the crash happens I've checked Activity Monitor and haven't seen any indication that I'm getting close to running out of RAM. I also have 2019 Intel iMac and have seen none of the crashing I do on my MBP. It's actually caused me to lose quite a bit of work over the past few weeks, even with FCP's auto-save feature. I've noticed that anytime I have something in the timeline that's color corrected I experience frequent crashes, up to several per hour. I have a 14" MBP with a 10-core M1 Pro chip (14-core GPU) and use Color Finale 2.0 regularly in my workflow. colorfinale.I've been scouring the internet trying to find anything about the issue I'm having, and not having any luck so I figured I'd post here and see if anyone else is having the same problem or if it's just me. The Transoder is available now directly from the Color Trix website. The company is releasing the Transcoder plugin as its first new launch since December 2020, and plans to launch others later in 2021. A simple, direct integration of the camera into the post workflow has so far not been available.Ĭolor Trix has developed colour grading plugins for professional users from for vloggers and videographers to editors and colourists, plus LUTs and a collaboration service, Color Finale Connect. The founder & CTO Dmitry Lavrov remarked that this is the first time that users of FCP have had an instant preview of their ingested footage with a complete range of camera settings. With backgrounds as artists for numerous feature films, their experience lies in supervising colour correction and digital intermediate processes. The team are long time developers of systems and applications for post-production and VFX. The aim of the Transcoder’s initial iteration is to quickly import unsupported camera media into Final Cut Pro – further media types are expected to be made compatible in the future.Ĭolor Finale products are developed by UK company Color Trix. For example, BRAW footage shot on a Blackmagic camera requires an external third party application to transcode files before the start of the editing process. Having to transcode media prior to importing it adds an extra time-consuming stage to the workflow. Users can also handle multiple clips at once if required. A full set of camera setting adjustments are included inside the import interface, with a choice of SDR or HDR colour spaces. ![]() Importing BRAW, ArriRAW and CinemaDNG files directly into Final Cut Pro makes them immediately available for editing. The new Color Finale Transcoder workflow extension makes it possible to import camera media directly into the Final Cut interface, making the workflow simpler and allowing users to import raw camera media.
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